Mio Mio is more than a drink, it's a way to connect. Colorful, urban and always a little unconventional. The "So schmeckt erweckt" community spots mix directed segments and fan-submissions authentically. For all three community-driven Mio Mio spots we provided Director of Photography and gear services, capturing the brand’s playful and authentic vibe. Together, the clips reached an audience of over 6.8 million viewers over the official Mio Mio Youtube Channel alone. Mio Mio Community Spot – „Weck, was in dir schmeckt“ → 3.1+ million views Von euch, für euch: Der Mio Mio Community-Spot! → 2.8+ million views Von Null auf Mio → 890,000+ views Client: Mio Mio Production: Beyond Global Director: Jan Seebeck DOP & Gear: Spaced-Entertainment - Hoang Dang Vu

Mazda CX-80 pushes beyond the ordinary and offers it's new model as a hybrid. A sleek combination of strength and elegance, designed for families and explorers alike. This campaign highlights space, comfort, and the driving spirit that makes every road feel like freedom. As part of the launch campaign for the Mazda CX-80 Hybrid, Spaced created a sleek 56-second YouTube spot that stands apart from the feature-driven clips of the rest of the campaign. While the other spots explain driving modes or technology in detail, this one was planned to focus purely on cinematic movement and atmosphere: the CX-80 hybrid in motion, the effortless push-button start and elegant perspectives of the interior & exterior. No text, no narration, the spot distills the essence of Mazda’s design language into an emotional, mood-driven showcase. Client: Mazda Production: Brainstormunich DOP & Edit, Gear: Spaced Entertainment - Hoang Dang Vu

At IAA Mobility, Audi presented its vision of the future with the House of Progress, an award-winning industrial design and exhibition space honored with both the Red Dot and iF Design Awards. Our contribution: editing and motion graphics, seamlessly integrating with 3D environments animated by Ubereck, to highlight Audi’s innovative design language and brand presence. Client: Audi AG, Avantgarde Production: Adrian Jäschke Film Edit & Motion Design: Spaced Entertainment - Kle Argiropoulos 3D Animations: Ubereck

Elisabeth stands before the anatomical institute, ready to sell her future corpse for 150 marks—money she needs to buy a license to work. Ödön von Horváth’s play begins with this scene, depicting a rigid system that drives Elisabeth to suicide. Bonn Park’s continuation Faith Love Robot starts after her death, resurrecting her as a robot in a futuristic lab where scientists search for humanity’s survival. Occasionally, figures from Horváth’s world appear, revealing glimpses of a post-apocalyptic outside. Park’s play explores our relationship with the future: while Elisabeth once acted out of hope for change, today we are paralyzed by fears of war, AI, and climate collapse. Can we imagine a future beyond blind progress or inevitable dystopia? Client: @volkstheatermuenchen Elisabeth Maslik Concept, DOP and Edit: Spaced Entertainment - Martin Go Regie - Bonn Park Bühne - Daniela Zorrozua Kostüme - Laura Kirst Musik - Ben Roessler Lichtdesign - David Jäkel Dramaturgie - Nicholas Zöckler Regieassistenz - Rebecca Fischer Bühnenbildassistenz - Ellen Schäfer Kostümassistenz - Frank Salewski Musikassistenz - Sophia Niehl Besetzung Oberpräparator - Steffen Link Präparator, noch ein Schupo - Lorenz Hochhuth Vizepräparator - @DAGOBERTofficial Elisabeth - Henriette Nagel Schupo Alfons Klostermeyer - Max Poerting Herr Amtsgerichtsrat, Radio - Liv Stapelfeldt Amtsperson, Postbote, Sittenpolizist - Genet Zegay

The grand finale of the Ibis Music Tour brought together headline act Prinz Pi with support from Becks and May The Muse at the Ibis Hotel in Munich. We were tasked with capturing a night of raw energy and intimate atmosphere, edited in a film that blends live performance with the spirit of a tour coming full circle. Client: Accor, Ibis Hotels, Sony-BMG, &Konsorten Production: &Konsorten Art Direction & Film Edit: Spaced Entertainment - Kle Argiropoulos DOP: Spaced Entertainment - Martin Go DOP: Simon Spädtke Production: Julia Harig Headliner: Prinz Pi, Support: Becks, May The Muse

ZDF Sportstudio – Ski Alpin, a fast-paced opening sequence capturing the thrill of alpine skiing. Dynamic shots of athletes in action set the tone for ZDF’s Ski Alpin coverage, blending motion, energy, and atmosphere. Client: ZDF Sportstudio, Helliventures Production: Helliventures DOP, Second Unit: Spaced Entertainment - Martin Go

FC Bayern Esports – A New Chapter Begins. An announcement trailer introducing the new FC Bayern eFootball team. Short interviews and behind-the-scenes moments lead up to a highlight at the Allianz Arena, where the players meet Giovane Élber and compete on the stadium screen with Konami’s eFootball. Our task: bringing it all together into an energetic, exciting trailer. Client: FC Bayern, Rapid Peaks Production: Julia Harig Film Edit: Spaced Entertainment - Kle Argiropoulos

Mercedes-Benz – Grow up Roadshow. A campaign film about 18 nationwide events where over 100,000 visitors explored interactive showrooms and experienced free test drives. From filming to editing, sound design, and mastering, we brought the atmosphere of the tour to life. Featuring additional footage of A$AP Rocky by Antoni, the film showcases Mercedes-Benz’s fresh and youthful brand experience. Client: Mercedes-Benz, Avantgarde CD: Avantgarde - Adrian Jäschke Edit & Motion Graphics: Spaced Entertainment - Kle Argiropoulos DOP: Spaced Entertainment - Hoang Dang Vu DOP: Simon Spädtke Production: Paul Rothenburg Mix & Master: Aaron Dylan Rusch Additional Footage: Antoni

Banff Centre – Mountain Film Festival Trailer. A high-adrenaline trailer packed with extreme mountain sports, emotional storytelling, and awe-inspiring landscapes. Created to ignite the spirit of explorers and adventurers, this piece blends powerful visuals with precise editing, sound design, and SFX for maximum impact. Client: Banff Centre, Moving Adventures Medien Production: Moving Adventures Medien - Janine Petrig Film Edit, SFX, Mix: Spaced Entertainment - Kle Argiropoulos Master: Kevin Eisenhardt

Volktheater Munich goes minimalist with Anna Marboe's Die Nashörner. We were tasked with capturing the spectacle and creating a fitting trailer. In the story the individualist Behringer faces a mass that has perfected its conformity. The more efficiently preconceived opinions spread, the more defiantly Behringer resists the merging crowd, holding his ground: he will remain human—whatever the cost! Anna Marboe drives the means of theater through seductive mainstream machinery, pulling out all the stops of absurdist theater to probe the questions of manipulation and the lure of the group. In a time when everything seems to be falling apart, it is, after all, simply a good feeling to be counted among the good. (Text from Volkstheater: https://www.muenchner-volkstheater.de/programm/schauspiel/die-nashoerner) Client: @volkstheatermuenchen Elisabeth Maslik Konzept, Kamera und Schnitt: Spaced Entertainment - Martin Go DIE NASHÖRNER - von Anna Marboe übersetzt von Claus Bremer und Hans Rudolf Stauffacher Original: Rinoceroces von Eugène Ionesco Der Individualist Behringer steht einer Masse gegenüber, die ihre Konformität perfektioniert hat. Je optimierter die Verbreitung vorgefasster Meinungen von statten geht, umso stärker trotzt Behringer der verschmelzenden Masse und verharrt im Widerstand: Er wird Mensch bleiben, koste es, was es wolle! Anna Marboe jagt die Mittel des Theaters durch verlockende Mainstream-Maschinerien und zieht für die Frage nach Manipulation und der Verführung durch Gruppen alle Register des Absurden Theaters. In einer Zeit, in der alles aus den Fugen gerät, ist es schließlich einfach ein gutes Gefühl, zu den Guten zu gehören. (Text von Volkstheater: https://www.muenchner-volkstheater.de/programm/schauspiel/die-nashoerner) Regie: Anna Marboe Bühne und Kostüme: Helene Payrhuber, Sophia Profanter Beleuchtung: Anton Burgstaller Choreografie: Felicia Nilsson Dramaturgie: Hannah Mey Chorsätze und musikalische Mitarbeit: Vincent Sauer Regieassistenz: Malte Buchloh Bühnenbildassistenz: Matteo Marangoni Kostümassistenz: Amelie Enders BESETZUNG Behringer: Maximiliane Haß Hans / Herr Ochs: Nils Karsten Der Logiker / Frau Ochs: Carolin Hartmann Der ältere Herr / Herr Schmetterling: Jonathan Müller Daisy: Steffen Link Stech / Das Treiben am Marktplatz: Lorenz Hochhuth Wisser / Die Hausfrau: Pauline Fusban Die Musik in diesem Video ist KI-generiert.